if every bone had not been sucked hollow, the meat held for ransom. the yearling still struggling to walk, its hock bent backwards. its tongue meant to be peeled after boiling —

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František Brych, a principled lawyer, refuses to back the new Communist regime at his factory and grows increasingly alienated, even as his former love Irena, unhappily married to factory owner Ondřej Ráž, seeks his understanding. When he helps plan an escape over the Šumava border, the group’s panic and violence lead to murder, prompting Brych to abandon the scheme and return home with Irena.

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The dream of Paul Dombey, the wealthy owner of the shipping company, is to have a son to continue his business. Tragically, Dombey's wife dies shortly after giving birth to their son.

The film starts with the main character Laura, a young woman with advanced cancer, entering quite upset the home of her parents and claiming to have stopped chemo therapy and having left her husband. The worried parents call the other three adult daughters into the house and they arrive one by one. For the first time in 6 years the entire family is united again. The characters are drawn as tensions rise from old conflicts and as the situation sinks in that Laura might be terminally ill. The movie eventually shifts from a lively sometimes comical beginning into the serious theme of dying and does handle this quite tactfully and moving. While the film touches on many areas surrounding death (including religion, graveyard, care, eutanasia) the main focus is on the transformation of the characters that are thrown out of their busy lifes into this situation, eventually accepting it and dealing with it.

Diaries, correspondence and family film recordings reveal a unique view of the life and privacy of the citizens of the so-called Protectorate of Bohemia and Moravia… Young documentarian Ondřej Veverka approached dozens of witnesses of the protectorate times and their descendants to share unique film recordings and written testimonies with him from that time. The result is a three-part documentary that provides a unique perspective on the protectorate. At that time, perhaps more than ever, amateur cameras noticed ordinary everyday things, small joys and ordinary life. Perhaps so that one can at least for a moment succumb to the illusion that the world is actually still in order. But soon tragedy entered these shots as well.